CRS No Blues : Lumen (NL,2008)****

After a relatively simple almost naively wishful song introduction of wishing to live together with different nationalities, it is especially the following results which convince of the result for that. No Blues still is a cooperation between wider than jazz-blues singer-songwriter Ankie Keultjes, and Ad Van Meurs on vocals and guitr, with swinging bass player and singer Anne-Maarten Van Heuvelen with oud/Arabian lute master and singer Haytham Safia. On drums is Eric Van de Lest. New member is African Osama Maleegi on djembe and bongos. They swing and sing together and mix different styles into a successful combination and blend. There a French song involved this time, an English traditional, a chachacha (?), and some small Arab translations andArab blends. Extra guests include Sophie Cavez on diatonic accordion and Raphaela Danksagmüller on duduk.

Audio : http://www.myspace.com/nobluesnl
Dutch introduction : http://www.bluesmagazine.nl/no-blues-presenteert-cd-lumen
Dutch review http://www.platomania.nl/album/index/id/1556407
Middle Eastern Fusions/crossovers/rock presents :
No Blues

CD (2005), CD (2007), CD (2008)
Rounder Rec.  No Blues : Ya Dunya (NL,2007)***°

No Blues is a project from production house 'Oost-Nederland', who invited various musicians to make something within a pop-cultural frame to make crossovers in different musical genres, trying to find a meeting place between folk-blues and traditional Arabic music, a crossover style which was called ‘Arabicana’. The group made a successful first album in 2005. So this lead to this new album.

On this album No Blues are Ad Van Meurs : guitar, dobro, vocals (played with Deirdre, WAT, as The Watchman), Anne-Maarten van Heuvelen : double bass, vocals (Marbletones, Bluesbrakers, The Jury,..), Haytham Safia : oud, vocals (originally from Israel), with guests Osama Maleegi, percussion (from Sudan), Ankie Keultjes (Very Girls, WAT, Watchman) on vocals, Eric van de Lest: drums (Watchman,..); Tracy Bonham : violin, vocals (from the US).

More than creating a crossover point, the members very much do their own thing, and still succeed in creating multi-crossing cultural elements. In that way they created with incredible ease and convincing lightness a creative meeting point between different cultural origins. The songs are easy and understandable, in recognisable somewhat bluesy genres, mixed often with various standard dance-related rhythms, with perfectly fitting Arab arrangements of oud and some Arab song contributions. The cooperation is absolutely complete without any compromise with an incredible logical ease. If politics between different origins could be solved with the same ease like this, there would not be as many problems growing too large trapped in stubbornness, but trying to change the other. Each song is followed by an instrumental. For Arab crossovers (not mentioning the Turkish / Persian / Middle Eastern examples), this is one of the most convincing Arab crossovers I have heard so far. Highly enjoyable !! This edition has an extra EP called “Black Cadillac” with 5 extra tracks in a similar style. Recommended.

Audio : http://www.myspace.com/nobluesnl
& http://www.popinstituut.nl/sounds/lowlands/play/lues_YaDunya.2050.html
Small description here
Label description : http://www.continental.nl/continental/...
Dutch intro : http://www.popinstituut.nl/biografie/no_blues.20021.html
& http://www.deadline.nl/news/Dansen%2C+lachen+en+huilen+met+NO+blues
Dutch reviews : http://www.fileunder.nl/archives/2007/02/no_blues_ya_dunya.php
& http://www.folkroddels.be/artikels/32085.html
& http://www.metisse-music.com/pages/content/artist.php?headerID=444
& http://www.folkforum.nl/content/view/8260/55/
& http://www.altcountry.nl/recensiesfeb07.html#nobl
& http://www.platomania.nl/maniagenre.asp?cdid=22077&platomanianr=225
Dutch review : http://3voor12lokaal.vpro.nl/...
Dutch review of both releases : http://www.oninternet.nl/project.asp?projectId=2
Dutch article on live concert : http://www.kindamuzik.net/live/no-blues/no-blues
Other review : http://www.artistsandbands.org/eng/modules/recensioni/detailfile.php?lid=24
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Rounder Rec.  No Blues : Farewell Shalabiye (NL/IS,2005)****

No blues ? “100 % Pure blend Arabicana” a sticker indicates on the front cover, while you can see how an oud and an old electric guitar fade in one another, and so does the music which departs from folk-blues to traditional Arabic music and back. “Compare it with a cup of Americana-tea with a particular Arabic blend” the liner notes also say. The music is as if the musicians shared tea and then shared ideas in a common session. I recognise both the popular Arab tunes as well as the western style, which I hardly ever heard blend so well. Both worlds bring in ideas, and then together they blend it quickly and logically. Most attention goes to the technical perfection of the blend, which makes this release especially successful. The last two tracks, two American traditionals are more kept as individual tracks without much change. “Dancing without sound” is just a fine folk-blues version, and “Wayfaring Stranger” sounds even more folkier, also is with less blending capacities. A recommended album, and best starter of both albums.

Participants are Ad van Meurs (pianist from 70s folk-rock band Deirdre, now known as The Watchman), Anne-Maarten van Heuvelen (from 50s styled blues band Marbletones & Blues Breakers), Haytham Safia (Arab from Israel).

Audio : fragment 1, 2, 3 & http://www.myspace.com/nobluesnl
Videos of live performances on http://www.youtube.com/...
Info & audio : http://cdbaby.com/cd/noblues1
Info on band : http://en.wikipedia.org/wiki/No_blues
Label info : http://www.oninternet.nl/project.asp?projectId=2
Description of album : http://babeblogue.blogspot.com/2008/03/no-blues-farewell-shalabiye-2005.html
& http://welove-music.blogspot.com/2006/11/no-blues-farewell-shalabiye.html
Dutch reviews : http://www.kindamuzik.net/recensie/no-blues/farewell-shalabiye
& http://www.plato.nl/plato/view.php?catalogue_id=162124
& http://www.musicfrom.nl/artiesten/10444/no-blues.html
German review with audio on http://www.in-akustik.com/...